Intentionality, 1960: Whose Dreams? examines the instability of geography—how places are made, inherited, and ultimately understood as fixed. The landscape can make what was intentional appear inevitable. In her latest exhibition, Chicago artist Candace Hunter returns to the construction of the Dan Ryan Expressway and the Black communities displaced in its path. A continuation of her ongoing project, 50,831 +/– Dreams, the exhibition considers displacement beyond the loss of physical place and the routes, relationships, memories, and ordinary intimacies disrupted alongside it.